TV: Deutschland 83 case study
Introduction: Reviews and features
Read the following reviews and features on Deutschland 83:
The Guardian - Your next box set: Deutschland 83
The Guardian - Deutschland 83 Pity the Germans don't like it
1) Find one positive aspect and one criticism of Deutschland 83 in the reviews.
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One positive is the show is praised for being engaging and entertaining, combining a spy story with humour and tension
Negative:
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One negative is that it can feel simplistic or stereotypical, especially in how it portrays the Cold War
3) Find three 'below the line' comments from either of the Guardian articles. What did the audience think of Deutschland 83? Do you agree with the comments?
Channel 4 News: Matt Frei interviews Jonas Nay
2) The Channel 4 News interview is conducted in German with English subtitles. How does this reflect Channel 4's remit as a public service broadcaster and their target audience? (Clue: revise your work on Channel 4 and Public Service Broadcasting here!)
3) Interviewer Matt Frei asks about the current political situation in Germany. Why might this interest the Channel 4 audience?
We need to consider the audience pleasures of Deutschland 83 alongside various representations created in the first episode.
- Technical codes – particularly mise-en-scene
Several shots in the East German party of key characters shot over-the-shoulder or through other guests. Emphasises family and friends present and welcoming atmosphere.
Huge contrast in mise-en-scene between East and West - two houses.
setting can be seen as relatable which creates a sense of personal identity
- Representation of East & West Germany / Family / Gender
Western family (Edel family) is shown to be dysfunctional and unhappy. The BBQ scene feels awkward and forced.
Strong contrast in the East German party scene with close family, friends enjoying themselves, relaxed atmosphere.
Scene 2: Martin/Moritz first sees the West German supermarket
- Technical codes – particularly mise-en-scene
Mise-en-scene - use of colour and costume. Iconic Puma logo red T-shirt as a colourful contrast to the dull East.
Supermarket shelves full of colour and stacked high. Almost an example of postmodern art and designed to emphasise the difference between East and West.
- Audio codes – particularly music
Music - Sweet Dreams Are Made Of These. Diegetic sound but full of meaning to convey Martin’s first experience of the West.
Dialogue on bench - emphasises the positives about the East and the dangers of the West. BUT this scene overall seems to present the West and capitalism in a more positive light.
- Representation of East & West Germany / Communism & Capitalism / Historical accuracy
Shot of two policemen eating ice creams is symbolic of the difference between East and West.
Several shots emphasise representation of East and West - close-up of chandelier, wide shot of luxurious bedroom etc.
- Audience pleasures
Historical reality - Blumler & Katz U&G theory - surveillance. Danger of WW3, reference to Pershing II missiles. Key elements of D83 based on historical fact.
Music - 1980s references - nostalgia. Faithful reconstruction of Germany in the
- Technical codes – particularly camerawork and editing
Fast-paced editing including jump cuts, typical of montage sequence.
Split screen / editing / graphics used to emphasise difference between East and West.
- Audio codes
Music and SFX: Non-diegetic sound adds pace to the sequence.
Dialogue/voiceover - covers a lot of narrative.
- Audience pleasures
- East v West - split screen emphasises the brands that are available in the West but not in the East. Also for fruit empty space showed what wasn’t available in the East.
- Intertextuality
Intertextuality - similar to a Bond sequence (particularly with the gadgets)
German audience - nostalgia in terms of products and brands.
International audience - surveillance (U&G theory) - learning about Germany, 80s gadgets etc.
- Technical codes – particularly camerawork and editing
Close-ups of Martin while picking lock and photographing the documents.
Close-ups of the documents themselves - words like highly classified, actual details of the missiles and Ronald Reagan’s signature. These are recreations of real documents from the time - emphasising the historical aspect of the show and the way it is based on real events; positions audience to be on Martin’s side.
- Audio codes – diegetic and non-diegetic sound
Non-diegetic sound - music helps convey the tension of the scene and satisfy genre expectations of spy thriller.
Diegetic sound - deliberately increased volume of Martin’s breathing, lock picking, turning pages in briefcase. Creates intensity, tension.
- Audience pleasures
Action and enigma codes - audience think Martin will be caught at any moment. U&G theory - diversion. Visceral pleasure - scene is tense for audience to watch, adrenaline.
Voyeuristic pleasure - seeing a scene or activity we wouldn’t normally have a chance to see.
Deutschland 83 was produced by German production company UFA Fiction and distributed internationally by Fremantle International. It was broadcast on RTL (Germany), SundanceTV (US) and Channel 4 (UK) as well as many other broadcasters around the world.
1) What kind of company is UFA Fiction and what shows have they produced?
2) What kind of company is Freemantle and what do they produce?
3) How does Deutschland 83 reflect the international nature of television production?
Watch this Channel 4 trailer for their Walter Presents international drama:
1) How does Channel 4 introduce 'Walter'?
2) What audience are Channel 4 trying to appeal to with the 'Walter Presents' series?
3) How does the 'Walter Presents' series reflect the changing nature of television in the digital age?
Marketing and promotion
Trailer
2) How does the trailer use action and enigma codes (Barthes) to encourage the audience to watch the show?
Read the Channel 4 press pack interview with writer Anna Winger. (If the link doesn't work, you can find the text from the interview here).
1) How did she use the historical context and real-life events to create a successful drama?
2) Anna Winger discusses the use of music. Why might the soundtrack attract an audience?
Read this Channel 4 press release on the success of Deutschland 83. (If the link doesn't work you can find find the text from the article here).
1) List the key statistics concerning audience figures. Why was it considered the most successful foreign language drama?
-1.49 million viewers for the launch episode
2) How does the press release describe Deutschland 83?
Look at these two different marketing campaigns - the UK DVD release (left) and the American Sundance TV advert (right).


1) How does the UK DVD cover communicate the sub-genre of the drama?
2) How do these use font, colour and graphics to appeal to an audience?
3) Why might the distributors Freemantle International have used different marketing campaigns in different countries?
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